Freeze Frame: Q & A with Soda_Jerk
Soda_Jerk, Australia, 2018, 54 min.
Terror Nullius is a political revenge fable which offers an un-writing of Australian national mythology. It works entirely within and against the official archive to achieve a queering and othering of Australian cinema. Equal parts political satire, eco-horror and road movie, Terror Nullius is a world in which minorities and animals conspire, and not-so-nice white guys finish last. Where idyllic beaches host race riots, governments poll love-rights, and the perils of hypermasculinity are overshadowed only by the enduring horror of Australia’s colonizing myth of terra nullius.
Introduced by members of Soda Jerk and followed by a post-screening discussion.
Formed in Sydney in 2002, Soda_Jerk is a two-person art collective who work at the intersection of documentary and speculative fiction. They are fundamentally interested in the politics of images: how they circulate, whom they benefit, and how they can be undone. Their sample-based practice takes the form of films, video installations, cut-up texts and lecture performances. Based in New York since 2012, they have exhibited in museums, galleries, cinemas and torrent sites.
Countercultures and Undergrounds + Dreams of Suitcases and a Blue Lobster
Umbrales: Experimental Women Filmmakers from Latin America + Altered Surfaces: Psychedelia and Abstraction